Israel Daramola

‘Atlanta’ Ends Its Bizarre, Experimental Third Season With a Bizarre, Experimental Finale

‘Atlanta’ Is Showing It Can Still Be Anything at Any Time

You Want It Darker: A Character Study of Robert Pattinson’s Emo Batman

The Glacially Paced Greatness of ‘Chillin Island’

The Real Monster of ‘Ghostbusters: Afterlife’ Is Lazy IP

Wes Anderson Hasn’t Changed With ‘The French Dispatch.’ And That’s Perfectly Fine.

Anthony Bourdain, ‘Roadrunner,’ and the Persistent Burden of Fame

How ‘Devs’ Explores the Silicon Valley God Complex

‘The Irishman’ Is the Story of Power in America