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Will Somebody PLEASE Give Bradley Cooper a Damn Oscar?
Making the case for why this year’s Academy Awards villain actually deserves to win for his turn in ‘Maestro’
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Why Warner Dropped the Anvil on ‘Coyote Vs. Acme’
WBD has reportedly decided to shelve the live action–Looney Tunes mash-up. It might be good business—but it’s also a reminder of the impermanence of art in the streaming era.
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Dangerous Insecurity: ‘May December’ and the Rotting Core of True Crime
On performance, "complicated" characters, and Todd Haynes’s excellent new Netflix film
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Martin Scorsese’s Great Crossroads
Or, how Scorsese’s late-’80s journey from ‘The Color of Money’ to ‘The Last Temptation of Christ’ informed the spirituality found in his work to this day
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“In My Mind I Was Already Gone”: The Endless End of Outkast
Twenty years after the release of Speakerboxxx/The Love Below, we chart how the creation of André 3000 and Big Boi’s fifth studio album became the start of Outkast’s ending.
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Why ‘Succession’ Had to Use Its Ultimate Trump Card
Making sense of what remains—emotionally and practically—after "Connor’s Wedding"
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The Gorgeous, Sprawling Anti-nostalgia of Lana Del Rey’s ‘Ocean Blvd’
Her ninth album, ‘Did You Know That There’s a Tunnel Under Ocean Blvd,’ is sprawling, contemplative, and her most personal to date
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‘Succession’ Knows Exactly What’s at Stake. Do Its Characters?
In its fourth and final season, the HBO drama will look to cement its legacy among the greats. Meanwhile, the Roy family fights over control that may not exist.
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Forget the Men—the Engine of ‘Banshees of Inisherin’ Is Kerry Condon
Let’s make the case for an upset in Best Supporting Actress
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The Man and the Machine: On 20 Years of 50 Cent and ‘Get Rich or Die Tryin’’
Two decades ago, the G-Unit leader released his debut album, a testament to an artist and an industry at their respective peaks. Within a few years, everything would be different for both of them.