Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like The Witch and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, It Comes At Night (15:50).
‘The Big Picture’ — Modern Horror and ‘It Comes at Night’ Director Trey Edward Shults
Sean Fennessey is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes at Night’
Share this story
Is the Franchise Model Starting to Fatigue in Hollywood?
After poor showings from ‘Ant-Man and the Wasp: Quantumania’ and ‘The Mandalorian,’ Matt and Lucas speculate on the future of the franchise entertainment model
Dillon Brooks–Klay Thompson Trash Talk, Michael Jordan’s Time in the Front Office, and ‘Snowfall’
Logan and Raja also discuss the significance of a team enforcer
Jeff Jarrett and Orange Cassidy Were Made for Each Other
Elsewhere, Masaaki Mochizuki and Mochizuki Jr. battled for the Open the Twin Gate title, while Drew McIntyre and Sheamus fought their way into a triple threat
Counter Pressed’s Big Day Out, the Magic of the Cup, and Jodie Taylor
The crew also discusses some slightly less enthralling ties over the weekend
“Conte Is Going Out Swinging!” Arsenal Go Eight Points Clear! TFFI 31 With Will Brazier.
Plus, there’s chat about Leeds getting a big win at the bottom of the table
‘Shazam! Fury of the Gods’ Reactions
Jomi and Steve talk about the movie’s egregious product placement, confusing villain motives, and not-so-shocking cameo