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Sean Fennessey is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes at Night’
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Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like The Witch and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, It Comes At Night (15:50).
After poor showings from ‘Ant-Man and the Wasp: Quantumania’ and ‘The Mandalorian,’ Matt and Lucas speculate on the future of the franchise entertainment model
Logan and Raja also discuss the significance of a team enforcer
Elsewhere, Masaaki Mochizuki and Mochizuki Jr. battled for the Open the Twin Gate title, while Drew McIntyre and Sheamus fought their way into a triple threat
The crew also discusses some slightly less enthralling ties over the weekend
Plus, there’s chat about Leeds getting a big win at the bottom of the table
Jomi and Steve talk about the movie’s egregious product placement, confusing villain motives, and not-so-shocking cameo
