Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like The Witch and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, It Comes At Night (15:50).
‘The Big Picture’ — Modern Horror and ‘It Comes at Night’ Director Trey Edward Shults
Sean Fennessey is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes at Night’
Mike and Jesse preview the MLB Playoffs’ effect on card values and react to Week 3 NFL performances
CC and Ryan discuss the AL wild-card race and analyze the Blue Jays’ beef with the Rays over a dropped cheat-sheet index card
Logan and Raja break down how vaccination status will affect the coming season
A broken bone in his right foot could complicate Williamson’s return to action and New Orleans’s start to the 2021-22 season