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Sean Fennessey is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes at Night’
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Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like The Witch and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, It Comes At Night (15:50).
Juliet returns with Ringer editor Lindsay Jones to discuss the dramatic end to Season 27 of ‘The Bachelor.’
Ben, Khal, Brian H., and David preview this weekend’s ‘WrestleMania’
AEW stars discuss the new reality series ‘AEW: All Access,’ the growing hunger for more details about their private lives, and the balancing act of not giving away too much of wrestling’s mystique
Her ninth album, ‘Did You Know That There’s a Tunnel Under Ocean Blvd,’ is sprawling, contemplative, and her most personal to date
The new remake of the influential GameCube title is a chance to reestablish whether ‘Resident Evil’ wants to be schlocky B horror or self-serious action
Justin and Micah discuss their thoughts on Donald Glover, stan culture, and the brilliance of Dominique Fishback
