Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like The Witch and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, It Comes At Night (15:50).
‘The Big Picture’ — Modern Horror and ‘It Comes at Night’ Director Trey Edward Shults
Sean Fennessey is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes at Night’
Juliet and Callie break down rapper Latto’s challenge for the girls and some ‘Bachelor’ nation news
Plus, Lauren Sánchez’s ‘Wall Street Journal’ interview, and more celebrity news
Matt and Lucas break down Peacock’s surprising success to start the new year
Mike and Jesse discuss how the results of the 49ers-Eagles and Bengals-Chiefs games could impact the card market