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Sean Fennessey is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes at Night’
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Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like The Witch and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, It Comes At Night (15:50).
The new remake of the influential GameCube title is a chance to reestablish whether ‘Resident Evil’ wants to be schlocky B horror or self-serious action
Justin and Micah discuss their thoughts on Donald Glover, stan culture, and the brilliance of Dominique Fishback
The Sacramento Kings run dribble handoffs more often and more effectively than any other NBA team. The pet play has unleashed Domantas Sabonis and has the Kings on the verge of their first playoff berth since 2006.
KOC and J. Kyle Mann go through the Final Four and dissect the NBA potential of each team
Though baseball’s pitch timer may be new, its origins are anything but
‘The Full Go’ returns as Jason discusses how he intends to view Cubs and White Sox baseball this season
